<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field name="primaryMedia"><value>http://collection.shangrilahawaii.org/internal/media/dispatcher/20049/full</value></field><field label="Title" name="title"><value>Silver-Inlaid Brass Tray with Inscription Cartouches</value></field><field label="Date" name="displayDate"><value>19th-20th century</value></field><field label="Dimensions" name="dimensions"><value>Diameter: 26 1/2 in.  (67.3 cm)</value></field><field label="Medium" name="medium"><value>Copper alloy, silver</value></field><field label="Credit Line" name="creditline"><value>Courtesy of the Doris Duke Foundation for Islamic Art</value></field><field label="Object number" name="invno"><value>54.78</value></field><field label="On View" name="onview"><value>1</value></field><field label="Description" name="description"><value>This tray was made during an artistic period popularly known as "Mamluk Revival."  The Mamluks (1250-1517) ruled in Egypt and Syria and were great patrons of metalwork, particularly brass inlaid with silver. The beautiful metalwork of the Mamluk period also attracted foreign audiences and was exported to Europe via the Italian port of Venice. Under the rule of the Ottoman dynasty (1517-1924), the production of metalwork in Syria and Egypt entered a period of relative decline. However, by the late nineteenth century, blossoming local and foreign markets led to a revival of brass inlay in Damascus and Cairo.  The resultant wares were termed "Mamluk Revival," because they imitated the styles and techniques of the earlier Mamluk metalwork.</value></field><field label="Classifications" name="classification"><value>Metalwork</value></field><field label="Width" name="width"><value>67.3000000000</value></field><field label="Height" name="height"><value>2.5000000000</value></field><field label="Depth" name="depth"/><field label="Id" name="id"><value>164874</value></field><field label="Source ID" name="sourceId"><value>5595</value></field></object>