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<rdf:RDF xmlns:schema="https://schema.org/" xmlns:rdf="https://www.w3.org/1999/02/22-rdf-syntax-ns#"><schema:VisualArtwork><schema:image>http://collection.shangrilahawaii.org/internal/media/dispatcher/19394/full</schema:image><schema:name>Polychrome Tile Panel with Double-Vase Motif</schema:name><schema:dateCreated>17th - 18th century</schema:dateCreated><schema:creator>[]</schema:creator><schema:artMedium>Ceramic, polychrome pigments</schema:artMedium><schema:description>Eagles soar among swirling clouds and diving ducks, blue and turquoise songbirds perch among flowering branches, and a tiger pounces from within leafy foliage toward a pair of unfortunate ibex. This imagery captures a continuous theme in Iranian art: the hunt. Scenes of humans and animals hunting have been depicted in the arts of Iran since pre-Islamic times, appearing in stone carving and metal vessels of the Achaemenids and Sasanians. The motif of the hunt is called Gereft-o Gir (“catching and hunting”) in Persian. During the Safavid period (1501–1722 CE), artists of the court-sponsored workshops depicted hunting scenes that were shared across multiple forms of media. Gereft-o Gir was especially prominent in Safavid carpet design.</schema:description><schema:artForm>com.gallerysystems.emuseum.core.entities.Classification@169</schema:artForm><schema:width>114.3002286005 Inches</schema:width><schema:height>251.4605029210 Inches</schema:height><schema:depth>0E-10 Inches</schema:depth><schema:url>http://collection.shangrilahawaii.org/objects/4154/rdf</schema:url></schema:VisualArtwork></rdf:RDF>