<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field name="primaryMedia"><value>http://collection.shangrilahawaii.org/internal/media/dispatcher/62337/full</value></field><field label="Title" name="title"><value>Gilded and Enameled Water Pipe (Qalyan) with Figural Scenes</value></field><field label="Date" name="displayDate"><value>19th century</value></field><field label="Dimensions" name="dimensions"><value>Overall: 16 × 5 7/8 in. (40.6 × 14.9cm)
Other (a (Base)): 9 1/8 × 5 7/8 in. (23.2 × 14.9cm)
Other (b (Top)): 6 3/4 × 3 1/2 in. (17.1 × 8.9cm)</value></field><field label="Medium" name="medium"><value>Enameled gold and silver, wood</value></field><field label="Credit Line" name="creditline"><value>Courtesy of the Doris Duke Foundation for Islamic Art</value></field><field label="Object number" name="invno"><value>44.4a-b</value></field><field label="On View" name="onview"><value>1</value></field><field label="Description" name="description"><value>This qalyan - or water pipe - is crafted in two parts: a bell-shaped bottom water cavity, and a goblet-shaped upper cup for the coal and tobacco. The smoke would pass through, and be cooled by, the water before being inhaled. Frequently, aromatics such as rose petals would be added to the water. Tobacco was probably introduced into Iran by Portuguese traders via the American colonies and, together with coffee and tea, became a popular form of social refreshment. Elaborate water pipes such as this one were made of precious materials and enameled in several colors - including rich pinks, luminous greens, and vivid blues - to heighten the sensory pleasures associated with smoking. 

The four ovoid cartouches on the base depict figures in European dress: i) a pair of women reading (inscribed in black nastaliq with the signature of the artist, one of the great masters of Qatar enamel painting), ii) Queen Victoria, iii) a boy with a flute, and iv) two courtly women. On the cup, three of the seven cartouches depict half portraits, with three depicting couples - all in European dress, while a fourth features three nude nymphs. Fine enameling was an artistic hallmark of the royal court, with “Europeanized” subjects as seen here particularly popular in the late Qajar period.</value></field><field label="Classifications" name="classification"><value>Metalwork</value></field><field label="Width" name="width"><value>14.9225298451</value><value>8.8900177800</value><value>14.9225298451</value></field><field label="Height" name="height"><value>17.1450342901</value><value>40.6400812802</value><value>23.1775463551</value></field><field label="Depth" name="depth"><value>0E-10</value><value>0E-10</value><value>0E-10</value></field><field label="Id" name="id"><value>164550</value></field><field label="Source ID" name="sourceId"><value>3842</value></field></object>