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<rdf:RDF xmlns:schema="https://schema.org/" xmlns:rdf="https://www.w3.org/1999/02/22-rdf-syntax-ns#"><schema:VisualArtwork><schema:image>http://collection.shangrilahawaii.org/internal/media/dispatcher/58322/full</schema:image><schema:name>Cusped-Rim Polychrome Ceramic Dish with Floral and Saz Leaf Motifs</schema:name><schema:dateCreated>16th century</schema:dateCreated><schema:creator>[]</schema:creator><schema:artMedium>Stonepaste, polychrome pigments</schema:artMedium><schema:description>The lively, floral composition of this dish is composed of red carnations, blue spotted tulips, and a spray of blue hyacinths with a broken stem. Iznik potters incorporated broken stems into their composition as a clever way of including more naturalistic elements within circular design. This naturalistic floral style is associated with Kara Memi (fl. 1545-66 CE), an Ottoman artist who was head of the royal workshop called the nakkaşhane during the reign of Suleyman the Magnificent. The rim of the dish is embellished by a wave-and-rock pattern. This motif, which frequently appears in Iznik wares, was influenced by Chinese porcelain, especially of the Ming dynasty (1368–1644 CE).</schema:description><schema:artForm>com.gallerysystems.emuseum.core.entities.Classification@169</schema:artForm><schema:depth>4.7625000000 Inches</schema:depth><schema:url>http://collection.shangrilahawaii.org/objects/3681/rdf</schema:url></schema:VisualArtwork></rdf:RDF>