68http://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullGold and Gem-Inset Polychrome Jade Mirror with Floral and Solar Motifs19th centuryJade, gold, gemstones, micaHardstoneshttp://collection.shangrilahawaii.org/objects/3841/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullCarved Jade Qur'an Stand with Floral Motifs18th centuryJadeHardstoneshttp://collection.shangrilahawaii.org/objects/3876/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullCarved White Jade Handled Dish19th centuryJadeHardstoneshttp://collection.shangrilahawaii.org/objects/473/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullGem-Inset and Enamelled Gold Rock Crystal Vessel with Peacock and Tiger's Paw Ornamentation19th centuryEnameled gold, rock crystal, gemstonesHardstoneshttp://collection.shangrilahawaii.org/objects/3863/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullPorcelain Coffee Cup and Enamelled Gold Coffee Cup Holder (Zarf)19th centuryEnameled gold, porcelainZarf were used for functional purposes - they both provided a "handle" for the usually handle-less porcelain coffee cups, and protected the fingers from being burned by the hot ceramic - as well as aesthetic reasons. They are often elaborately decorated with enamels, precious stones, and/or fine metals. Zarf often survive without their "matching" coffee cups, as the cups were more fragile. Here however we have the full "set".Metalworkhttp://collection.shangrilahawaii.org/objects/3859/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullPorcelain Coffee Cup and Enamelled Gold Coffee Cup Holder (Zarf) 19th centuryEnameled gold, porcelainZarf were used for functional purposes - they both provided a "handle" for the usually handle-less porcelain coffee cups, and protected the fingers from being burned by the hot ceramic - as well as aesthetic reasons. They are often elaborately decorated with enamels, precious stones, and/or fine metals. Zarf often survive without their "matching" coffee cups, as the cups were more fragile. Here however we have the full "set".Metalworkhttp://collection.shangrilahawaii.org/objects/5445/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullDiamond-Inset Enamelled Gold Snuff Bottle with Floral Motifs18th - 19th centuryEnameled gold, diamondsMetalworkhttp://collection.shangrilahawaii.org/objects/3869/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullEnamelled Gold Ewer with Diamond Floral Medallion on Footed Stand19th centuryEnameled gold, diamondsMetalworkhttp://collection.shangrilahawaii.org/objects/4863/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullDiamond-Inset Enamelled Gold Sarpech (Turban Ornament) with Parrot and Cascading Ruby Grape Cluster19th centuryEnameled gold, diamonds, rubiesThis turban ornament, or sarpech, is shaped as a parrot holding a cluster of grapes in its beak. The bird has flattened, short wings and a long, tapering tail that curves towards the end. Floral motifs are enameled throughout and a diamond is inset as flowerhead above its head. Diamonds are on set on the back while an multi tiered umbrella of cabochon pale pink rubies is secured to the beak by a series of shallow, domed and enameled panels.Jewelryhttp://collection.shangrilahawaii.org/objects/4866/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullGem-Inset Enamelled Gold Lidded Box with Floral and Striped Motifs18th centuryEnameled gold, rubies, diamonds, emeraldsMetalworkhttp://collection.shangrilahawaii.org/objects/4883/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullGem-Set Enameled Footed Gold Cup with Floral Motifs19th centuryEnameled gold, diamondsMetalworkhttp://collection.shangrilahawaii.org/objects/4888/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullGem-Set Enameled Footed Gold Cup with Floral Motifs19th centuryEnameled gold, diamondsMetalworkhttp://collection.shangrilahawaii.org/objects/9264/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullGem-Set Enameled Footed Gold Cup with Floral Motifs19th centuryEnameled gold, diamondsMetalworkhttp://collection.shangrilahawaii.org/objects/6182/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullBlue Blown-Glass Vase19th centuryColored glassGlasshttp://collection.shangrilahawaii.org/objects/3694/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullPale Green Blown and Etched Glass Hanging Lamp19th centuryGlass, polychrome pigments, gildingGlasshttp://collection.shangrilahawaii.org/objects/3587/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullPale Green Blown and Etched Glass Hanging Lamp19th centuryGlass, polychrome pigments, gildingGlasshttp://collection.shangrilahawaii.org/objects/5205/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullBlown Pale Blue Glass Bottle with Spherical Body12th centuryGlassGlasshttp://collection.shangrilahawaii.org/objects/3934/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullCobalt Blue Blown Glass Rosewater Sprinkler18th centuryColored glassGlasshttp://collection.shangrilahawaii.org/objects/3919/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullMold-Blown Glass Bottle with Honeycomb Pattern Motif12th-13th centuryColored glassGlasshttp://collection.shangrilahawaii.org/objects/3927/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullPolychrome Iznik Dish with Tulip and Carnation Motifsc.1565Stonepaste, polychrome pigmentsCeramicshttp://collection.shangrilahawaii.org/objects/3728/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullPolychrome Porcelain Dish Inscribed for Navab Begum SahibaDated 1249 AH (1833-1834 CE)Porcelain, polychrome pigmentsCeramicshttp://collection.shangrilahawaii.org/objects/3753/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullPolychrome Ceramic Tile Panel with Floral Motifs17th - 18th centuryStonepaste, polychrome pigmentsCeramicshttp://collection.shangrilahawaii.org/objects/5624/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullPolychrome Ceramic Tile Panel with Floral and Arabesque Motifs17th-18th centuryStonepaste, polychrome pigmentsCeramicshttp://collection.shangrilahawaii.org/objects/5623/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullPolychrome Ceramic Tile Panel with Floral and Arabesque Motifs17th-18th centuryStonepaste, polychrome pigmentsCeramicshttp://collection.shangrilahawaii.org/objects/5621/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullPolychrome Tile Panel with Archway, Hanging Lamp and Prophet's Sandals16th - 17th centuryStonepaste, polychrome pigmentsCeramicshttp://collection.shangrilahawaii.org/objects/3763/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullLusterware Dish with Leaf Motifs and Central Shield with Crossed Macesc. 1487Earthenware, polychrome pigments, lusterCeramicshttp://collection.shangrilahawaii.org/objects/4234/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullArmorial Lusterware Dish with Floral and Animal Motifsc. 1500Earthenware, polychrome pigments, lusterCeramicshttp://collection.shangrilahawaii.org/objects/4239/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullArmorial Lusterware Dish with Floral and Animal Motifs16th centuryEarthenware, polychrome pigments, lusterCeramicshttp://collection.shangrilahawaii.org/objects/4235/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullMina'i Bowl with Enthroned Ruler Surrounded by Attendants and Sphinxes12th - 13th centuryStonepaste, polychrome pigments, gildingThis mina'i (Persian: "enameled") bowl depicts a central, enthroned ruler orbited by four birds of prey, four standing courtiers, and four seated attendants. Two confronted sphinxes - female-headed lions with the wings of eagles - perch above his head, offering protection. Note the richly-patterned costume of each courtly personnage, elaborately painted to echo the sumptuous silks of the Seljuq élite. Mina'i ceramics - created during a narrow window of time, most probably in the city of Kashan - often show the luxurious pleasures of royal life, a topic of fascination for the mostly middle-class clientele who purchased the bowls.(not assigned)http://collection.shangrilahawaii.org/objects/4392/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullMolded Lusterware Star Tile with Entwined Cranes13th - 14th centuryStonepaste, polychrome pigments, lusterCeramicshttp://collection.shangrilahawaii.org/objects/4423/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullCobalt and Lusterware Bowl with Floral Motifs17th centuryStonepaste, polychrome pigments, lusterCeramicshttp://collection.shangrilahawaii.org/objects/4478/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullMosaic Tile Panel with Qur'anic Inscriptions in Thuluth Script20th centuryStonepaste, polychrome pigmentsCeramicshttp://collection.shangrilahawaii.org/objects/4513/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullPolychrome Inscription Tile19th centuryStonepaste, polychrome pigmentsCeramicshttp://collection.shangrilahawaii.org/objects/4143/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullSteel Katar (Push Dagger) Inset with Gems and Enamelled Gold Hilt18th - 19th centurySteel, enameled gold, rubies, emeralds, diamondsMetalworkhttp://collection.shangrilahawaii.org/objects/4884/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullBell Shaped Bidri Ware Hookah (Water Pipe) Base Inlaid with Landscape Scenes19th centuryZinc, silverMetalworkhttp://collection.shangrilahawaii.org/objects/4057/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullGilt-Copper Lobed Bowl with Enamelled Geometric Motifs16th centuryEnameled copper, gildingThis bowl’s luminous surface was created through the tombak gilding technique, in which a copper vessel covered in powdered gold and mercury is fired in a kiln (the mercury serves to secure the gold). It is of a type of refined metalwork produced in the Balkans, in particular, during the height of the Ottoman empire. The vessel’s faceted surface was achieved through the engraving and hammering of copper sheet, and colorful enameled roundels contribute further visual interest and sophistication.  Metalworkhttp://collection.shangrilahawaii.org/objects/3722/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullSilver-Inlaid Brass Tray with Inscription Cartouches19th-20th centuryCopper alloy, silverThis tray was made during an artistic period popularly known as "Mamluk Revival." The Mamluks (1250-1517) ruled in Egypt and Syria and were great patrons of metalwork, particularly brass inlaid with silver. The beautiful metalwork of the Mamluk period also attracted foreign audiences and was exported to Europe via the Italian port of Venice. Under the rule of the Ottoman dynasty (1517-1924), the production of metalwork in Syria and Egypt entered a period of relative decline. However, by the late nineteenth century, blossoming local and foreign markets led to a revival of brass inlay in Damascus and Cairo. The resultant wares were termed "Mamluk Revival," because they imitated the styles and techniques of the earlier Mamluk metalwork.Metalworkhttp://collection.shangrilahawaii.org/objects/4056/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullSilver-Inlaid Brass Tray with Inscription Cartouches19th-20th centuryCopper alloy, silverThis tray was made during an artistic period popularly known as "Mamluk Revival." The Mamluks (1250-1517) ruled in Egypt and Syria and were great patrons of metalwork, particularly brass inlaid with silver. The beautiful metalwork of the Mamluk period also attracted foreign audiences and was exported to Europe via the Italian port of Venice. Under the rule of the Ottoman dynasty (1517-1924), the production of metalwork in Syria and Egypt entered a period of relative decline. However, by the late nineteenth century, blossoming local and foreign markets led to a revival of brass inlay in Damascus and Cairo. The resultant wares were termed "Mamluk Revival," because they imitated the styles and techniques of the earlier Mamluk metalwork.Metalworkhttp://collection.shangrilahawaii.org/objects/5595/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullEngraved Lamp Stand with Floral and Arabesque Motifs16th - 17th centuryCopper alloy, nielloMetalworkhttp://collection.shangrilahawaii.org/objects/3765/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullPierced and Engraved Hanging Lamp20th centuryCopper alloyMetalworkhttp://collection.shangrilahawaii.org/objects/3825/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullPierced and Engraved Hanging Lamp20th centuryCopper alloyMetalworkhttp://collection.shangrilahawaii.org/objects/6175/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullPierced and Engraved Hanging Lamp19th centuryCopper alloyMetalworkhttp://collection.shangrilahawaii.org/objects/3824/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullCopper Alloy Kashkul (Begging Bowl) with Floral and Lattice Motifs19th - 20th centuryCopper alloyMetalworkhttp://collection.shangrilahawaii.org/objects/5989/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullInlaid Dish with Inscriptions and Floral Motifs19th - 20th centuryCopper alloy, silverMetalworkhttp://collection.shangrilahawaii.org/objects/4690/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullHanging Lamp with Pierced Tessellation Motifs20th centuryCopper alloyMetalworkhttp://collection.shangrilahawaii.org/objects/8835/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullPair of Ruby and Diamond-Inset Enamelled Gold Hinged Bracelets with Oval Cartouches and Floral Motifs19th - 20th centuryEnameled gold, rubies, diamondsThese bracelets are decorated in translucent green enamel. Diamonds and rubies form floral designs interlaced with thin gold wire stems. The stones are set using the kundan technique in which strips of pure gold are applied around the stones to create the mount. The inner faces of the bracelets are decorated with an enamel design of oval cartouches containing central red flowers flanked by red birds on a white ground.Jewelryhttp://collection.shangrilahawaii.org/objects/4955/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullGem-Inset Chandelier Earrings with Crescent and Fish Motifs; Enamelled Gold (Kundun) Floral Ornamentation on Reverse20th centuryEnameled gold, rubies, white zircons, seed pearls, green glass beadsJewelryhttp://collection.shangrilahawaii.org/objects/5126/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullGold-Set Ring with Chrysoberyl and Rubies19th - 20th centuryGold, chrysoberyl, rubiesJewelryhttp://collection.shangrilahawaii.org/objects/5078/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullFloral-Set Gold Ring with Rubies19th - 20th centuryGold, rubiesJewelryhttp://collection.shangrilahawaii.org/objects/6547/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullDiamond-Inset Gold Floral Spray Brooch19th centuryGold, diamondsJewelryhttp://collection.shangrilahawaii.org/objects/4990/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullGold Pendant with Ruby Floral Motifs16th - 17th centuryGold, rubies, woven gold chainJewelryhttp://collection.shangrilahawaii.org/objects/5065/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullBell-Shaped Silver Covered Dish with Beaded Border20th centurySilverMetalworkhttp://collection.shangrilahawaii.org/objects/6571/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullHammered Silver Coffee Pot with Checkerboard Motif19th centurySilverMetalworkhttp://collection.shangrilahawaii.org/objects/4553/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullScrolled Silver Zarf (Coffee Cup Holder) with Gold-Edged Porcelain Coffee Cup19th-20th centurySilver, porcelain, goldMetalworkhttp://collection.shangrilahawaii.org/objects/9291/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullScrolled Silver Zarf (Coffee Cup Holder) with Gold-Edged Porcelain Coffee Cup19th-20th centurySilver, porcelain, goldMetalworkhttp://collection.shangrilahawaii.org/objects/9292/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullScrolled Silver Zarf (Coffee Cup Holder) with Gold-Edged Porcelain Coffee Cup19th-20th centurySilver, porcelain, goldMetalworkhttp://collection.shangrilahawaii.org/objects/9293/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullPolychrome Painted Wooden Doors with Figural Narrative Scenes20th centuryWood, polychrome pigments, varnish, metal hardwareWoodworkhttp://collection.shangrilahawaii.org/objects/4021/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullCarved Wooden Door with Central 10-Pointed Star16th - 17th centuryWood, ivory or boneWoodworkhttp://collection.shangrilahawaii.org/objects/4508/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullCarved Wooden Trunk with Nailhead Decoration19th - 20th centuryWood, copper alloy hardware, paint, iron nailsWoodworkhttp://collection.shangrilahawaii.org/objects/5235/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullFolding Wooden Chair with Inlaid Ivory Floral Motifs19th centuryWood, ivory, steel and copper alloy hardwareWoodworkhttp://collection.shangrilahawaii.org/objects/4526/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullCarved Wooden Cabinet with Ivory Inlayca. 1700Wood, ivory, metal hardwareSince the tenth century, wood inlay has been used with great success in Islamic art to create intricate geometric patterns. During the Nasrid period of Islamic rule in Spain (1232–1492), inlay work similar to that seen in this cabinet was used to decorate woodwork in mosques, palaces and private homes. This cabinet was purchased by Doris Duke (1912‑93) in Paris in February 1938, on her way to the Middle East and Iran. Woodworkhttp://collection.shangrilahawaii.org/objects/4768/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullWooden Dresser with Mother of Pearl Inlayca. 1920Wood, mother of pearl, bone, and tin wire inlay, plated brass hardwareWoodworkhttp://collection.shangrilahawaii.org/objects/2186/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullGold-Plated Filigree Necklace with Crescents20th centuryCopper alloy, gold plating(not assigned)http://collection.shangrilahawaii.org/objects/7518/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullGold Filigree Earrings with Crescents and Tughra19th - 20th centuryGold(not assigned)http://collection.shangrilahawaii.org/objects/9295/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullEmbossed Gold Belt Buckle with Hands of Fatima19th - 20th centuryGold plated silverJewelryhttp://collection.shangrilahawaii.org/objects/7524/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullGold Filigree Earrings with Crescent Motifs19th - 20th centuryGold plated silverJewelryhttp://collection.shangrilahawaii.org/objects/7528/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullEnamelled Gold Tiered Bracelet with Ruby and Diamond Floral Bud Motifs17th - 18th centuryGold, rubies, diamonds, enamelJewelryhttp://collection.shangrilahawaii.org/objects/4954/rdfhttp://collection.shangrilahawaii.org/internal/media/dispatcher/20699/fullLusterware Dish with Rampant Lion and Thistle-Leaf Motifs1450-1500 CEEarthenware, tin glazed, luster and luster paintedThe production of luster ceramics originated in Iraq in the ninth century. The complex and costly technique required two firings; during the first, the brownish-red coloration of earthenware was transformed into opaque white through the application of a tin glaze; during the second, metallic oxides of silver and copper were fixed to the white surface. The end result was a luminous surface that imitated metals like gold, largely explaining luster’s widespread popularity throughout the Islamic world. In the eleventh century, the luster technique moved westward to Fatimid Egypt (909–1171), where an artificial white ceramic body (stonepaste or fritware) was invented, thereby precluding the need for tin-glazing. In the thirteenth century, the luster technique reached the Iberian peninsula and was produced in the Mediterranean city of Málaga, often under direct royal patronage. As in Iraq, Spanish potters used tin-glazed earthenware, rather than stonepaste. During the fifteenth century, Manises, a suburb of Valencia on the eastern coast of Spain, emerged as a main center of luster production. Manises wares were especially prized by Italian and French patrons, among others, and therefore commonly featured Christian iconography and European blazons. Like other examples of Spanish art combining Christian and Islamic aesthetics, Manises wares are generally classified as “Mudéjar” (from the Arabic, “tamed” or “submissive”). This term was used to refer to Muslims who submitted to non-Islamic law prior to Ferdinand and Isabella’s conquest of Spain from the Islamic Nasrid dynasty (1232-1492) in 1492. After the fall of Islamic Granada, all Muslims in the Iberian Peninsula were known as Mudéjars. Before 1492, Muslims and Christians had coexisted in Spain for 800 years, and their visual cultures were closely intertwined from the thirteenth century onwards. This dish has sloping walls double banded walls with a lion motif at center. The lion has a spiked tail and stands on four out strecteched legs with long claws on its paws. The lion's tongue sticks out. Surrounding the lion along the walls are two rows of large, repeated feather leaves. The exterior is decorated with concentric copper circles. Doris Duke (1912–93) acquired approximately a dozen examples of Spanish luster in 1941 at the sale of the William Randolph Hearst collection. She displayed the majority of her Spanish ceramics in the living room, alongside a collection of over 200 Spanish luster wall tiles (48.168), which once adorned a ceiling of a church near Seville. Ceramicshttp://collection.shangrilahawaii.org/objects/5713/rdf